I admit it. I am spoiled. I get lots of presents and many of them end up here, at Cooking with Ideas. One way or another, my blog habit is being supported. It's addictive, blogging. But the habit is not as bad as drugs, I guess. . . It is a version of buying books. Why oh why do I think buying $100 worth of books is spending less than $100 on clothes? Is it all because some things are tax deductible and others are not?
Anyway, The Lost Ravioli Recipes of Hoboken, by Laura Schenone was a gift. A surprise. I had never even heard the title (though I did review the author's earlier James Beard Award Winning book A Thousand Years Over A Hot Stove: A History of American Women Told Through Food, Recipes, and Remembrances. For the Cooking with Ideas review, click here.) In the case of The Lost Ravioli Recipes of Hoboken I devoured the book (ok, don't be so literal) quite soon after receiving it. I thought about all those lost bits of my own family recipe. I thought about ravioli presses I had seen and pasta machines at Church's hardware on Exchange Street. But at that point I did not have time to write about it. So, I am re-reading this "search for food and family" and writing about it as I go along.
The book is, I guess, part of a trend -- tracing one's own personal history through food rather than genealogical charts. For Schenone, the journey is as much about America as it is Italy; so it has its beginning with epigraphs from New Jersey native son Walt Whitman (not the bridge), Zora Neale Hurston, and Pellegrino Artusi. In this it is indeed a book that involves Hoboken -- it is as much about memory and story as it is about ravioli; thus the book opens with a "myth of origin" and with the sentence "Memory was her gift." Who is it who has this gift? The author's great grandmother, or was it her grandmother? Her ravioli and her stories become the rationale for explorations and cooking experiments, travel and story telling in New Jersey and Liguria. Meeting relatives anew and meeting strangers who become mentors and friends, Schenone goes in search of a way to "authenticate" -- find the real provenance for -- a family ravioli recipe. How is it made she asks -- with machine? with press? rolling out or not? With what is it filled? Raw meat or no meat? Spinach or other greens? In asking all these questions, Schenone discovers that authenticity is not all it's cracked up to be (somehow her route to this view seems more persuasive than many postmodern critiques of authenticity though how long it takes her to make this discovery is more than a little startling). In reading the book, I discovered a land I had never heard of -- Liguria -- and found in myself an urge to make my own home made pasta. I even want to try making something-other-than-store-bought ravioli. (I made some pasta a while ago in cooking school in Denver; now I just have to do it at home! And, maybe, my reading/cooking superego mutters I have to move beyond what I imagined as utterly home made-- machine made pasta -- to roll my own. Maybe.) Why? Not because I am on a journey to authenticity or to an Italian heritage but just because it tastes so darn good, it's a bit of a challenge (to read Schenone hand rolling counts as more than a bit of a challenge), and since I do not have to do so, it'd be fun. And all this might be an excuse to travel to Liguria, the smallest region of Italy and a coastal (and mountainous) one at that!
There's loads more to the book: the place of ravioli in Christmas holidays, the woes of trying to learn while pasta is sticking to everything in sight, the tales and tensions of families across generations including the not-always-thrilled reactions of Schenone's husband and children to her "obsession" with ravioli. Trips to cemeteries, to relatives last seen years ago at an elderly familial connection's funeral, to a friend's kitchen to try new recipes. Schenone meets women who make chesnut flour and men who kill pigs. She considers sausage making and the greens on the mountains of Liguria and how those are transmogrified by immigrant women into the choice of spinach. She considers how cream cheese (yes, Philadelphia brand) enters recipes for ravioli filling and Ligurian fresh cheese (very different and yet somehow similar) is lost in the translation. She explores the many voices of women -- and those of some men in her quest. And she thinks about tradition. Thus, Schenone reminds us that
Much of what the world loves as Italian food today is not "traditional" but modern invention. (p. 48)
By this, she means not just that Italian American food has only a distant relation to Italy but that the various regions of Europe which eventually become the nation-state of Italy come together only very recently in historical memory, that Italy is in fact both new and old. As she puts it:
It is an odd idea to imagine that immigrants had to leave home to eat the food of home. In this way, Italians around the world fueled an imagined culinary tradition. It was what life "should have been,". . . What should have been but was not. . . . (p. 49)
Poverty, for example, meant that many treasure traditions that came from an immigrant lineage which immigrated exactly because they were unable to participate in those traditions of eating in Italy;they were hungry and poor and this is, in large measure, what drove the diaspora. How ravioli traveled, was transformed, was invented and reinvented in all this is the tale she pursues. It moved, in sum, with the women and men who moved across oceans and time.
To make it today? Schenone offers pictures, lengthy descriptive directions and rcipes. She offers, as well, several pages of resources. Finally, she offers the suggestion, hidden in the 326 page book that one search out those who know how and get a lesson in both cooking, history and connection. Keep watching here. Oneday, I may, indeed, make ravioli.
Laura Schenone
ravioli
food memoir
Hoboken
Liguria
Italy
Italian food
Italian American